Over the years I have found that beauty can be a bulwark against despair.
It can take various forms (visual arts, music, literature, etc) but I’ve noticed it most keenly in visual terms where something catches my eye and triggers some deep feeling pulling me back from a dark place. In this regard it functions as a kind of metaphysical light shining in the darkness. And it is in this “darkness” that my eye finds it most readily. There are numberless examples of this I can think of through some tumultuous times in my life. I oftentimes find them in a Christian context which is probably due to the cultural milieu I was raised in.
What comes to mind at this particular moment is when I was a young infantryman living in Korea far from home and finding myself too often utterly alone. In my incessant wanderings during that time I discovered Myeongdong Cathedral. It sits hidden like an island on a hill surrounded by skyscrapers in the heart of central Seoul. To get to it you have to walk through the streets of a bustling shopping district that falls away as you ascend the hill and a large cathedral suddenly appears amongst trees and terraced gardens. The contrast to the hard steel and concrete of the city surrounding it is startling.
I visited there many times to find some peace and respite, either sitting quietly inside on a pew under its lofty ceilings or on a bench outside in the back where elderly Korean women sat and prayed at a shrine to Mary strewn with flowers. As the son of a Protestant pastor it was an exotic experience of sorts that should have been disconcerting but the peace it brought me was undeniable.
At one of these visits to Myeongdong an exhibit of large black and white framed photographs was set up on the descending stone terraces in front of the cathedral. One in particular captivated me. In it a priest was ascending a path on a windswept grassy hill. The perspective was from lower on the hill and behind him. He wore a black cassock and a round wide-brimmed hat from a time gone by. I can’t rightly explain what parts of me it spoke to, but it was a deep place rarely explored and it gave me a hunger for more.
This might explain why I was so readily drawn to the Orthodox Church a few years later as a young man trying to find my way in Southern Indiana. I was taking pre-med classes at IU with no assurances that I would even be accepted to medical school. In relation to the number of applicants the acceptance rate was ludicrously low. So much was uncertain and I was in desperate need of a stabilizing force. This came by way of the Orthodox Church with its rich visual imagery and ancient origins.
In retrospect it was a trajectory that started in Korea at the stone steps of a grand cathedral and carried me through time and space to the front concrete steps of the small and humble parish of All Saints Orthodox Church in Bloomington, Indiana.
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