I snapped this photo of Anya today while we were playing on her brother’s bed. He has a mobile of the planets suspended above it which fascinates her. At this point she was lying on her back and starting to extend her arm towards it. I saw the gesture, I saw the light, and with only seconds to spare I used my phone to take the shot. Cropping and processing came later and it wasn’t until I posted it online that the significance of the photo hit me.
The photo is divided into three sections by two diagonal lines that are parallel to each other. The first section is Anya’s face. The middle section is the darkened wall and headboard. The third section is the sunlit window. Her arm dramatically cuts across these three sections extending through the darkness and into the light with her finger pointing the way. Just behind the headboard and partially hidden is a carved cross that’s still there from when her brother had no bed but just a mattress on the floor. To the right of Anya’s arm you can see some paper icons he has in his window sill from Church School. The most noticeable one is in the bottom right hand corner and is of St. Paul. The rest are partially hidden or blown out from the sunlight.
So there it is, the story of “The Road to Damascus” in a photo where Saul-soon-to-be-Paul has fallen to the ground blinded by a great light that is Christ himself speaking to him. The partially hidden cross represents Christ and St. Paul is there as well in his icon. This is what I love so much about taking pictures. I don’t always know why I take them and oftentimes I don’t consciously think about how to frame the shot, but once in awhile a story sort of forms after the fact and completely surprises me. It is like a little blessing or gift from the “Giver of all good things.”
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