Imagination vs Reality

Imagination for a child

is his intuitive grasp

that what he sees

and what he is told he sees

is not all that there is

and in this sense

what is considered "real"

may actually be a distraction

from what is essential.

***

STATION ELEVEN Hits Home

 

I will sorely miss seeing STATION ELEVEN for the first time.  

After watching 9 of the 10 episodes alone I hooked my son into watching it with me and re-watched all of them with the same degree of joy and wonder as the first time.  The finale came and went last week but I refused to watch it or visit the Facebook fan page in order to experience it in its fullness with him.  I was surprised more than once when he picked up on some early clues and made connections that had taken significantly longer to register for me.  And this series is thoroughly interconnected like a beautiful tapestry weaving together the lives of its characters over the expanse of 10 episodes created with a mosaic of flashbacks and cathartic moments.

I was astounded to find there were some specific touching points in what was unfolding in regards to things that have happened in my own life.  The best example of this is when Clark is talking with Arthur about Arthur’s attempt to regain relevance and/or legitimacy as an actor by taking on the role of King Lear in a Shakespeare production.  Arthur is a movie star whose fame stems from superficial action films and it is his face on the poster that is a draw for people to watch Shakespeare who might not otherwise do so.  It seems to be a win-win for Arthur and the theater he is performing for but then he dies on stage on opening night and the story is set in motion.

The relevance to me has to do with the time I saw the movie version of Hamlet in early 1991 starring Mel Gibson.  It was ostensibly the same scenario as Arthur’s attempt at Shakespeare, ie, a famous Hollywood actor attempting some “serious” acting.  I was in the midst of Basic Training at an infantry training center in Georgia after impulsively dropping out of college at the start of the first Gulf War.  Over a period of several months I sustained daily attacks on my humanity meant to mold me into a compliant soldier.  There did not appear to be any respite from this dehumanizing process due to our near total isolation from the wider world or access to personal items that might remind us of who we once were.  I always describe that time as the days feeling like weeks, the weeks like months, and the months like years.

At one of my lowest points we marched past the Post movie theater and I saw Mel Gibson’s “Hamlet” was being shown.  It struck me that I needed to see this movie, like needing a sip of water while lost in the desert.  I found a way to sneak out from the barracks and slip into that theater where there were only one or two other people present.  As I watched Hamlet unfold in front of my eyes the miserable existence of Basic Training dissolved from my consciousness like waking up from a bad dream.  I was transfixed by what was happening on that screen.  Every emotion was felt at peak intensity to the point of tears streaming down my cheeks.  I was so caught up in the moment I lost track of time.  

When I did glance down at my watch I was stunned to see that it was 5 minutes until lights out and head count.  I leapt from my seat, sped walked up the aisle, and then broke into a dead run through the parking lot, through the darkness of two grassy fields, and onto the concrete pad at the back of my barracks complex where I transitioned again to speed walking to not look too suspicious if spied by a Drill Sergeant.  I took the stairs two at a time to the second floor and lit in my barracks bay like a bird returning to its cage.  I immediately laid down in bed and pulled the covers over my BDU’s and boots trying to pant as quietly as possible.  The Drill Sergeant came through the door right on cue.

I can’t help but make the connection that in Station Eleven this was the experience of the isolated survivors in the airport when the Traveling Symphony arrived and put on their production of Hamlet.  When I told my son the story of younger me sneaking out and almost not making it back for headcount he said I was “savage” but for me at the time it was about survival or, better yet, reaching past just surviving.  “Survival is insufficient” is the motto of the Traveling Symphony in Station Eleven.  I don’t think I truly understood the power of art to humanize us and reveal our interconnectedness prior to that experience as a young man.

***

Lucky Ones

 

Snow falls from unfathomable heights

filling the sky with white points of light

floating and flitting at the wind’s whim.

Here in the sad city it is something to see,

nature’s invasion of stone and steel,

we lucky ones watching from windows.

***

Jim Forest, Memory Eternal

 

I was heart broken to learn last night that Jim Forest has passed away.  Like my recent post about the passing of Dr. Sheila Hafter Gray I considered Jim a friend and mentor.  Our correspondence began prior to my time in Iraq in 2006 but picked up in earnest after my deployment there and continued with few interruptions up until just this past year.  

He encouraged my writing and photography in its infancy, even buying me a professional account on flickr.com when Elias was first born and I was only able to post a few photos a month on my limited account.  It opened up a wider world of creativity and inquiry that set the mold for me in using these outlets to cope with the stress and struggles of life, to find hope and meaning.

We shared a love of photography but it was his writing life that sung most sweetly.  Like Forest Gump he was involved in some form or manner with many of the people and events that helped shape our modern era, but on the positive side of things.  He was close friends with many of the spiritual giants of the 20^th century to include Dorothy Day, Thomas Merton, and Thich Nhat Hanh.  He wrote biographies for each of them and more than one in some cases, but I was most influenced by his spiritual writings to include “Praying with Icons” and “Loving Your Enemies”.  

He founded the Orthodox Peace Fellowship whose periodical and active online community was a refuge for me during my time in the Army.  I was conflicted in my life choices at the time and Jim was a source of encouragement and love without judgment.  When he was planning to come to the US (from the Netherlands) for a speaking tour during a politically fraught time I suggested we spirit him from house to house and region to region in the “Forest Underground”, tongue firmly in cheek.  He loved that sentiment and the playful idea I floated of creating t-shirts from a doodle I made for the “occasion”.  

And thank the good Lord he was able to recently publish a memoir for us to share in his adventures over the  course of his 80 years here, “Writing Straight with Crooked Lines”.  May his memory be eternal.

The Search

 

NF is a rapper that has things to say.  His nom-de-rap is simply his initials which speaks to a lack of pretense.  Hello Nathan Feuerstein, aka Nate, aka NF.

Elias and I first heard his music while playing basketball at the outside courts of our local middle school in the summer of 2019.  It was “The Search” blasting out of court side speakers.  There were no cuss words and the lyrics were raw and real like they were coming from someone who was searching for some deeper meaning to life.  It was like the antithesis of so-called Gangsta Rap.

Then later that summer as Elias became more and more enamored with him I found out NF was going to be in Columbus at an outdoor venue (pre-pandemic by about 6 months).  It was perfect timing and I bought tickets for us which included having his latest CD mailed to me included in the cost.  Anytime Elias was in the car we would pop it in to the player… "Hey, Nate, how's life?  I don't know, it's alright.  I've been dealin' with some things like every human being and really didn't sleep much last night.”   

We went at least a few hours early to the concert and stood in a line that ended up snaking around a couple of city blocks behind us.  It gave us some time to talk as well as observe humanity in all of its sincerity and silliness around us.  We were standing near a twenty-something red-headed guy with a red beard who was obviously full of himself and going on to others about how people thought he looked like the MMA fighter Connor McGregor.  And then a young struggling artist-type came by walking up and down the line handing out little business cards with a web link to his music trying to get his own rap career kickstarted.  I even had time to snap a photo of the ghostly outline of leaves on the sidewalk that I later submitted for a publication whose theme that issue was about our abuse of the environment (rejected).  

Another interesting phenomenon I watched unfold was the arrival of a man in a yellow reflective vest who had developed a scam of sorts.  He was standing at the entrance of a public parking lot that was nearest the venue and stopping cars that pulled up looking for parking.  He had a wad of cash and was telling people it was five dollars to park there.  Most gladly paid b/c it was so close to the concert, but a few were wise to him and simply drove past him and into the lot.  He made a good amount of money the two hours we stood there and when the concert doors opened he simply walked away with his tidy sum of mendacious earnings.  Not that I begrudged him any of it.

The opening act was “Kyd the Band” which was a young guy sitting at keyboards singing earnest songs that had vaguely Christian themes trying hard to be emotionally edgy.  They weren’t bad, but the crowd was uninterested.  Black balloons (an NF trademark of sorts) suddenly began appearing from somewhere to be bounced around and provide distraction from what was happening on stage.  I took notice when a few songs in the singer picked up a bass guitar and I braced myself for either some wicked slap bass action or melodic jazz stylings a la Jaco.  I was disappointed when neither happened.  He simply used it for repetitive plucking to go along with some pre-recorded tracks he sang over top of.  Thank goodness for the balloons.

When Kyd’s equipment was mercifully taken off the stage by the roadies the crowd began to quiver with excitement.  White translucent sheeting was draped down covering the front of the stage and lights began pulsing from the inside.  The musical intro from “The Search” started things off and the crowd roared in a quick crescendo of sound to acknowledge their love for NF who was soon to appear in disembodied voice.  When the beat drop hit a few minutes in the sheeting fell to the ground revealing NF on stage and emotional pandemonium ensued as everyone began jumping in sync and rapping along with him.

Elias and I were about 30 feet from where NF stood on stage and in the thick of the crowd.  As far as I could tell I was the oldest person in that lower section of the venue nearest the stage by a long shot.  Elias glanced over at me with a beaming smile like “Can you believe this Dad?!” and I felt my own heart light up with joy.

I am thankful for what NF has meant to my son.  He shows that acknowledging your own struggles and the suffering that comes from that is OK and is the starting point for healing.  Just last night we watched a Youtube reaction video from a man who was listening to “Nate” off of that album.  It is a song about NF talking to his six year old self and at some point he tells his younger self “Even good people are great at making bad decisions.”  His raps are full of these little nuggets of insight.  NF has let it be known in his lyrics and interviews that he struggles with depression and anxiety for which he sees a therapist.  What the Youtube reactor so astutely pointed out was that it is like NF has taken the therapist’s notes from their sessions and turned them into raps.  It immediately struck me that this is an excellent way of understanding NF’s songs and what he explores in them.

For example, in the title song he raps “Last year I had a breakdown, thoughts tellin' me I'm lost gettin' too loud, had to see a therapist then I found out, somethin' funny's goin' on up in my house” as he gestures at his head with wiggling fingers.  He has a kind of dark humor that he creatively intersperses through his songs that forces you to smile even when he’s talking about something really heavy.  He lacks the rapping skill of Eminem (who he has been compared to) but what he has to say is much more impactful when it comes to learning what it means to be a human being.  And for that I am grateful.

Dr. Gray has Passed Away

 

A colleague from Washington DC informed me last night that my friend and mentor Dr. Sheila Hafter Gray passed away on Tuesday.

She was my mentor/preceptor/supervisor during the four years I spent as a psychiatry resident at Walter Reed in DC from 2002 to 2006.  We considered her our own personal Yoda due to her age, diminutive size, and piercing intellect.  She was a Harvard grad years before I was even born and an OG analyst who also embraced the biomedical side of psychiatry and had her hand in developing the field through research and teaching.

She was a faithful attendee of our Grand Rounds and regularly participated in the question and answer portion by slowly raising her hand with index finger pointed skyward.  Her voice was quiet and a bit shaky which made it difficult to hear her so a microphone would be quickly placed in her hands despite her mild protestations that she did not need it.  WE needed it.  We wanted to hear what she was going to say because it was sometimes funny, oftentimes profound, and always on point, drawn from her vast experience and study.

Dr. Gray was who I sought out to be my supervisor when doing longterm therapy with patients and when I needed a faculty sponsor for my research project that I would ostensibly use for my senior Grand Rounds presentation.  All of the information and data needed for that presentation did not come together in time for that purpose but she helped guide it to publication when it was eventually finished.  In the meantime she provided feedback for a back up presentation I entitled “Combat Stress Control: Past, Present, and Future” that I pulled together as a precursor to my own deployment to a Combat Stress Control unit in Iraq that faced me upon graduation in just a few short months.

And it was during that deployment to Iraq post-graduation where her mentorship as well as friendship was most appreciated.  I found myself in a situation where my commander was forcing me to be involved in a situation that I found morally suspect.  I felt powerless and complicit with seemingly no support which brought out strange feelings of rage and despair in me.  When it was all said and done I thought of Dr. Gray and I sent her an email laying out the situation.  She immediately responded with her wisdom and insight to help me navigate those feelings in order to find some healthy way forward.

A few years later she was putting together a panel for the American Psychiatric Association’s annual conference being held in Washington, DC that year and invited me to join it as a co-presenter.  It included her and the Army’s top research psychiatrist proposing the possibility of adding a military-specific diagnosis to the DSM.  I was tasked to provide the perspective of the boots-on-the-ground soldier-psychiatrist as it were.  We had lunch as a group after the presentation which led to a kind of tradition of finding each other at subsequent annual conferences to have lunch and catch up.

Several years later I finally found a way to process that experience in Iraq by writing a poem about it, "Hiding from the War".  I’d tried to just write it out as a story a time or two over the years, but what I wanted to convey was getting lost and it was put aside.  When the poem was finished Dr. Gray was the first person I shared it with and I subsequently submitted it to be published in the Kurt Vonnegut Memorial Library literary journal “So It Goes”.

After that I would hear about Dr. Gray from time to time through Doximity notifications that she had been cited in someone’s research paper.  I did not go to the APA conference in early 2020 due to the pandemic but I thought there would be other opportunities to see her there and meet up for lunch.  She seemed quite elderly even back in 2002 and over the years I fell under the delusion that she was going to live forever.  May her memory be eternal.

***

Red Light Green Light

 

It’s on some of the on-ramps here in Columbus, Ohio.  They are stop and go lights on the top of a pole that alternate red and green to control the flow of traffic onto the highway.

My mind is prone to metaphors and switches to the flow of humans into this world coming in at a steady but staggered pace: red light, green light, red light, green light.

I’d been on the highway for quite some time before my son got his green light and then several years later my daughter got hers.  They are lights in their own right, impossibly shiny.     

And now I’m thinking more about off-ramps, especially with the radio informing me this morning we are having over a thousand deaths a day from this pandemic.

I personally know several who have been forced off the highway at this particular off-ramp and I am sure I will learn of several more before it is all said and done.  

Drive safely and care for your neighbor.

***

No Words

 

Sometimes there are just no words.

You hear the keys clicking.

Letters appear on the screen.

But they are empty promises to understanding.  

They don’t mean what you think they mean.  

The things most necessary to say are swallowed.

Yet the words keep coming to wrestle 

meaning from what seems meaningless.  

***

Get Back

I have to say I’ve been a bit taken aback by the new Beatles documentary “Get Back”. It’s such an intimate look that conveys the feeling of being in the room with the boys joking around and making music together. It covers a few week’s period that they are tasked to come up with enough music to stage a concert and make a live album.

The first few days are painful as the task seems so daunting and their anxieties bubble up in various ways to include George Harrison actually leaving town for a few days with no guarantees he’ll be back. They get a bit short with each other under the pressure, yet music starts to trickle out.

There’s Paul strumming out a rhythm on his bass that sounds like he’s playing a guitar and with some slight of hand the ear suddenly picks up in his mumbles the beginnings of the song “Get Back”. It’s like when you’re a kid at a carnival and the guy walks up to you and pulls a gold coin from behind your ear and you are like “where did that come from?!” At first George and Ringo seem uninterested in Paul’s noodling but as they begin to pick up on what he’s doing with it and the refrain pops into existence they are bobbing their heads and singing along, “get back, get back…”

And Yoko, God bless her misunderstood soul, is quiet and unobtrusive throughout until the moment she is allowed to have some fun with the boys in a manic impromptu jam, smiles all around. She exchanges pleasantries with Linda McCartney and stays out of the way. Where is her meddling? Where is her command of John? It’s all missing in what has become standard Beatles lore; that she broke them up; that she was insufferable.

And speaking of John, he is so much more passive than I thought he’d be. Sure he loosens up as the sessions move on to more productive days and he is a constant jokester, but he is not as overbearing and potentially caustic as I supposed he would be, especially when it comes to forging the new songs with Paul. He is almost demure.   I subsequently learned he was using opiates at the time which could explain this phenomenon in part.

And Anya is watching much of it with me. She once mistook John for me in the video for "Watching the Wheels" when she was about 3 years old. Now that she is 10 she points out that I really did look like John when I was in my 20’s, but adds that his being goofy and jigging around in the documentary shows that I ACT like him as well. It was a surreal moment for us both because it was undeniable. I just wish I had his musical genius as well.

I have not seen the 3rd installment, but another magical moment comes in the 2nd part when their old friend Billy Preston shows up and they rope him into sticking around to play the electric piano so John can be free to go back to guitar and sing. They start grooving with “Don’t Let Me Down” and when Billy slides in with some soulful piano licks Paul’s face pops up from his bass to give Billy a look of surprise and wonder. He realizes in that moment that Billy’s playing just made the song ten times better! Later in conversation with Paul, John is so impressed he wants to make Billy the fifth Beatle and not just a paid session musician.

Another surprising moment is when John is singing a song fragment he has come up with that is listed as “Road to Marrakesh/Child of Nature” in the subtitles, but it is the exact tune of his later song “Jealous Guy” that shows up on a solo album after he has left the Beatles. I loved watching them hash and rehash music in this way as a creative outpouring that later finds a final form that we recognize.

The whole process played out in this documentary reminds me of the process I go through when writing stories or poems where at the git-go the ideas are poorly formed and the page is too white and too empty of words. There is the temptation to give up or become irritable with the process, but if you just continue to plow through and accumulate some things a flow starts to develop and drudgery turns into delight as inspiration strikes in surprising ways. It is a testament to the creativity of the human spirit.



***

Flying Saucer over 315

An honest-to-goodness flying saucer appeared in the sky on my morning commute today, I kid you not.  It was a glorious glowing disk of mysterious intent that both fascinated and terrified at the same time.  A circle of lights were rotating underneath it making a pulsing noise that could be felt if not heard.  It reminded me of a baby’s heart beat when using a doppler, but at about 20 beats per minute instead of 120.

And it chose an amazing morning to show up!  The rising sun was yet to be seen but the clouds were heralding its arrival in grand fashion with yellows, oranges, and pinks at the horizon transitioning into blues and deep purples further up in the sky.  I felt like it knew it looked fabulous in this context and just hovered in a kind of solipsistic splendor.  Look at me!  I do what I please!  Gawk in awe, simple earthlings!

But then it must have gotten bored with so much suspended gravitas and no plans to use the death ray or tractor beam to suck up some unlucky motorist.  I say this because the lights began spinning faster and it suddenly shot vertical out of sight.  By this time I’d slowed to a stop because of the car pile up on the highway that the spectacle had triggered.  Maybe they felt guilty and gave up on their fun.

***

Not-Quite-Human

 

What they 

were building 

was a 

better future 

for those 

who were 

not-quite-human.

***

Palliative Care in the Space Age

 

The simple hydrogen engine was thrumming underneath him pulling him down into the stasis couch like a full-bodied hug.  Or was it pushing him?  A domed screen above him perfectly projected what lay in front of the rocket so that it appeared he was at its tip piercing the sky.  The clouds that hung lazily in the distance had started as white patches but were quickly becoming massive banks of floating white fluff.  With barely a blink and a sigh the rocket punched into it and everything became a soft white glow.  

Much too quickly he came through the other side and the pale blue sky began purpling as stars began to speckle his view.  The music surrounding him had been chosen to match the majesty and finality of his experience.  After some pre-launch deliberation he had picked Sigur Ros as well as the smell of crushed dandelions.  It was a multi-sensory experience and the idea for dandelions had come from his boyhood when all seemed right with the world and he’d plucked them, rubbed them tightly between his thumb and forefinger, and breathed them in deeply leaving a yellow stain on his nose.

These were his final minutes at the cusp of multi-organ failure and the slow infusion of a sleep-inducing formula that was almost imperceptible in its conscious-dampening diffusion.  He felt at peace with himself and with the expanding universe.  It was like a head start to heaven.

***

Franklin Finds a Way

“Blessed is the Kingdom of the Father, and of the Son, and of the Holy Spirit, both now and ever and unto the ages of ages” boomed in his head and woke him from sleep.  A choir of voices immediately followed with “Amen”.  

He sat up in the dark cave-like space and looked to where light was coming in from what appeared to be its entrance.  He found he was wearing a white garment which extended to his ankles and contrasted sharply with his black skin.  He could not remember putting it on.  In fact, he could not remember anything prior to the point of waking up to the chanting and singing that now wafted in with the light.

The floor was bumpy with bits of rocks that poked into his hands and the ceiling above him met at a point like the top of a tent.  He reached out to feel its surface and found it to be semi-smooth and rock-like with a reddish hue. 

The alternating of chanting and singing continued unabated so that he felt he must be dreaming.  It was telling a story that he tried to follow but his mind kept falling back into some in between place.  He laid back down, closed his eyes, and let it wash over him.

***

His eyes were  closed but there was light everywhere.  A pulsing of presence and movement pulled him along like a leaf floating on a sparkling river.  Shapes danced and whirled through the warm glow of his eyelids reminding him of tree branches shadowed and swaying in the wind as the sun winked through them.

With the sound of bells jingling it transformed into the fluttering of an impossibly large eyelash above a swirling circle of blue that suddenly dilated and then burst into numberless smaller eyes.  They surrounded him like coruscating sparks intent on obliterating any shadows and he was afraid.

***

He forced his eyes open and noticed the singing had stopped.  Now it was just the sounds of murmuring which drew him to what looked to be the lip of his small cave to investigate.

What he saw as he crawled towards the opening on hands and knees was a blur of colors expanding in all directions which disoriented him and made him feel slightly nauseous.  He closed his eyes once again to compose himself and breathed in and out slowly three times before attempting to look out again.

This time things came into focus, but oh that they hadn’t!  What he saw were giants moving about below him such that he was seeing them slightly from above which meant he was very high up off the ground in his small cave.  They appeared to be moving slowly and talking to one another in low booming voices he could not understand.

He pulled back slightly in order to not be seen but it quickly became obvious that he was too small for anyone to notice.  Curiosity brought him forward once again to gaze out on what lay before him.  It was a cavernous room with old brick walls dotted with paintings of people.  Hanging before each one was a small golden bowl suspended on chains that held a burning taper floating in oil.  The flickering flames created an effect that gave the images depth and movement like looking through windows, but into another world.

His wonder at what he was seeing suddenly turned into terror when he sensed someone standing between two of the images on the far wall was staring straight at him.  Her eyes fixed him in his spot and he felt he could not move.  Her face tilted left and then right in an inquisitive manner, but her eyes never left his spot.  His paralysis was broken by a queer smile that broke out on her face and a little wave she directed at him high up in his hole.  

He saw that she was different from the other giants.  Her hair was dark and matted in places and her dress ill-fitting, too tight around her ample midriff.  She stood there rocking forward and backward at the hips with her hands just behind them, like she was stretching out her lower back continuously.  No one else seemed to notice her or her peculiar stare and stance.  He got the peculiar feeling that she knew him.

The giants eventually filed out of what he now understood was a church and the woman followed them but not without a final glance and wink in his direction.  He found himself growing sleepy and laid down once again in the back of the cave.

***

His time cycled in this way with services followed by the darkness of sleep.  The first time he awakened again it was nighttime and church was dark except for the candles and oil lamps burning.  There were less people this time but the woman was there again standing in the same spot and staring up at his darkened hole.  No one seemed to think this was strange even as she rocked front and back and sometimes spoke to no one in particular.  

She wore a hat that was too small for her head and large wooden beads around her neck.  A group of people stood in the back singing together which the woman sometimes tried to follow but ended up coming in too soon or singing past the time the others had stopped.  He considered them people now and not giants after an epiphany that had struck him just as the lights had brightened in the church.  They were singing “O Gladsome Light of the holy glory of the Immortal Father in heaven…” when he realized he was the small one, tiny even, maybe the size of an embryo or a peanut.

When the service ended the people lined up to kiss one of the painted persons on a stand in the middle of the church.  The woman came and gave a little bow when it was her turn before kissing it.  She then turned toward the wall and gave him a bow as well.  A teenaged boy behind her snickered.

***

His waking and dreaming times became intertwined and almost indistinguishable as the days passed.  During the services he continued to see his friend swaying and talking to someone or something that others were not seemingly privy to.  He felt most lucid at the third and then the ninth day of his shortened memory due to the prayers that spoke most directly to his dreams.  But on the fortieth day something changed. 

She was dressed all in white and her hair looked like it had been tended to.  Something in her eyes was more intent, focused.  He realized that before her demeanor had been like someone who is pleasantly confused but today there was a clarity in her gaze.  He felt she was seeing him fully for the first time though others continued to ignore her.  The prayers being chanted by the priest mentioned a name that created a resonance in him that grew each time he repeated it, “For You are the Resurrection, the Life, and the Repose of Your servant Franklin, O Christ our God and to You do we send up Glory, as to Your Eternal Father and Your All-Holy, Good, and Life-creating Spirit, both now and ever, and unto the ages of ages…”

He was startled to find himself suddenly becoming painfully bright as light poured from his crack in the wall and a translucent stairway suddenly shimmered into the air below him.  He stepped out onto it and as he descended he grew in size until he reached the woman across the room and greeted her face to face.

“Rosemary.”

“Franklin, my friend” she said as tears glistened in her eyes.  

They embraced as the priest finished the prayer with “Amen” and Rosemary found she was now hugging herself.  Franklin was no longer there.

***

I Live Here

 

I live here

in the pain and sadness

of triumphs then tragedies,

of broken dreams

and shattered expectations.

I live here

pushing through to the next

perceived bright spot

which may or may not be

what I expected it to be.

I live here

driving to Starbucks

on a rainy Saturday morning

in search of respite or rush 

to keep it together.

I live here 

wishing so much 

did not depend on me

and my feeble efforts

to be strong and true.

I live here, but I live.

***

Oranges & Blues

 

It is a strange and wondrous feeling 

to look out one’s window on a quiet

morning commute and be struck by 

such rich oranges and deep blues so 

unexpectedly while sitting at a stoplight.

***

The Hospital at Night

 

The golden glow 

of the hospital 

at night 

passed on my 

drive home 

to the car’s right.

I imagine seeing

suffering eyes 

without sight

where attempts 

to breathe 

are a losing fight.

***

When I Forget Myself

 

When

I forget myself

she reminds me

who I am,

always.

***

VIRULENCE

 

It denotes something that is particularly deadly

and has recently been tied to a new Covid variant,

but truly it can be tied to a darkening of our hearts

where we justify the unjustifiable and conceive of

the inconceivable: the destruction of our brother.

***

A Lonely Bird (early pandemic poem)

I feel like a lonely bird

perched high on a wire

seeing the world from 

a unique perspective.

Wave at me as you pass by.

***

Galápagos

 

(or “A Spoonful of Sugar”)

Can you say “Galápagos”

with the proper accent?

It is quite rewarding.

You should try it.

It’s almost as much fun 

as saying the alliterative

“blue-footed booby” which 

is sillier though less exotic.

Calling Kurt Vonnegut silly 

would be silly or at 

the very least misguided.

He is definitely funny

but in most cases he is 

serious as a heart attack

and a stopped heart

is no laughing matter.

Unless you’re laughing 

yourself to death and

that death is your ego or

sense of self-importance.

***