Driving around
down town
lost and found
face a frown
silence a sound
in which I drown.
***
"this is the world as best as I can remember it"
Sad news today of the passing of Milan Kundera at 94 years of age.
When I hear his name I am immediately transported back to my mid-twenties, newly graduated from college and traveling the globe in a quest to shed my prosaic Midwestern life. His break out novel in the West “The Unbearable Lightness of Being” was my manual in opening up these new possibilities. I read it on park benches and train stations in Eastern Europe for maximum effect. His writing was chock-full of history, politics, philosophy, art, and music that drew me like a moth to a flame.
He was a writer and intellectual from the Czech side of Czechoslovakia and had lived through the Communist takeover of his country before relocating to France to pursue his passion without government interference. The melancholy of such an experience pervaded his novels and was like pure oxygen to me. The sadness of top-down attempts to suppress the insuppressible, of struggling to be human in an inhumane system, of being exiled from your home and alienated from your culture. In his stories I could feel so much longing and in that longing I could find hope for something better or at least different.
In retrospect, reading his novels were likely my first impetus to be a writer although those dreams had to be put on hold indefinitely when I began medical school which swallowed me up body and soul. During that time I met my future wife who was an English major at Butler University. As it turned out her academic advisor specialized in Kundera and I was able to talk to him about my experience with reading The Unbearable Lightness of Being. I told him how the first time I read it I was sympathetic with the main character (Tomas) and liked him a lot but on the second reading a few years later I abhorred him. He understood why that could very well be the case and I wished we could have talked more but we were not at his office hours for me!
His other great book in my estimation is “Immortality”. Maybe he is now experiencing a bit of that not only in literary terms but also in spiritual terms, one can hope. I am thankful for his attempts to reach out and connect with people like me who are hungry for love, for understanding, and what might account for sympathy in the unbearable lightness of being.
***
How strange
that the paintings
of a young Adolf Hitler
were of churches:
-The Minorite Church of Vienna
-St. Charles Church
-St. Stephen’s Cathedral
-A southern Bavarian church
The only one I’ve seen
in person is St. Stephen, but
I may very well have passed
the others without knowing it.
A friend and I wandered
the streets of Vienna for a day
where I looked for literary landmarks
while he looked for pastries.
It’s disconcerting to think that
this young artist with such
talent in good measure
could become so inhuman.
In my experience art has had
a profoundly humanizing effect
that I could not have done
without in these middle years.
“My Struggle” apparently has had
a very different meaning for me
than it did for that angry man
all those years ago.
***
There are lights across the water that are merciless in their inaccessibility, as far as a midnight sky winking with stars of near-infinite distance.
I do not know what brought me to this black beach but I stand in sand with wavelets lapping at my feet staring longingly at that distant shore.
It is something I fear I deserve but my memory cannot conjure the source of offense that necessitates such a cruel and unusual punishment.
Time is spent skipping rocks across the surface of the water. “Find that place!” is the energy I expend with the full torque of my longish limbs.
An attempt to swim across would be disastrous yet I fantasize about such a thing, binding a raft with ropes of regret and a salvaged sail.
And I imagine I hear a voice across the water, “Find this place. I am waiting for you. Do not give up. I will allay your fears and fulfill a dream.”
***
We’ve lived in the Columbus metro area going on 15 years now, first in Worthington and now in Upper Arlington. Between these two communities we have transitioned from a focus on a Memorial Day parade to a 4th of July parade in the respective communities.
One thing that has not changed is the presence of this man of indeterminate ethnic origin and age. He wanders the length of the parade with glasses perched on his head and a fixed smile, determined to have his picture taken by everyone he meets on the street.
The first time he approached me several years ago I had no idea what he wanted. He does not talk, but instead points at your phone and then at himself. After taking his photo he wants to see it and then moves on to find someone else to take his picture.
Today he got one from me again after I hadn’t seen him for at least a few years due to the pandemic. After me he walked up to a group of teenaged girls who were somewhat amused if not bemused by his approach, but like everyone else they figured it out.
I wonder where he lives. I wonder what his story is. I wonder how he gets from community to community, parade to parade. I wonder why he is so focussed on having his picture taken by complete strangers. I wonder if I’ll ever see him again and his eccentric smile.
***
It has been discussed ad nauseam, this peculiar phenomenon of Ray Bradbury imagining a Mars that is scientifically absurd with its “thin” but breathable atmosphere, canals full of blue water, exotic vegetation… and yet we WANT to believe it against all that we know to be true.
The discussion then flows to the author’s assertion that it is not Science Fiction as such but Fantasy. The circle refuses to be squared. There are astronauts, there are rocket ships, and there are “aliens”. It’s like saying it walks like a duck and quacks like a duck but isn’t a darn duck.
The thought that comes to mind today is that this is a story set in an alternate or parallel universe where Mars is closer to Earth. As a result it is more conducive to the conditions Ray describes to include being able to spot Earth easily in the Martian sky and having similar climates.
And the frequent rocket ship trips made by individual families makes so much more sense if it takes weeks instead of several months to reach Mars. Just this little adjustment in my mind makes the stories so much more satisfying to me and hard hitting as “reality” replaces fantasy.
***
He approached the city from the West
not anticipating a skyline that was absent
or at least a ghost of a line largely implied.
Particulate matter particularly mattered
as it entered his pulmonary passages
after its long journey from the North.
It was like a post-apocalyptic scenario
in the books he’d read since his youth
but now wafting into the realm of reality.
***
***
This week it was a utility truck sitting on the street by Grant Medical Center. I passed it on my way to the car and the rust lines and runs caught my attention. I find things like this intuitively compelling and it is not until later that ideas begin to flow as to what it means to me.
This particular image is one of decay and disintegration on a vehicle that was once shiny and new rolling off the factory floor but has been “dying” ever since. As it rusts away a beautiful pattern emerges with orange and yellow streaks cascading down over months and years.
The words that came to mind were from a Neil Young album “Rust Never Sleeps”. This sent me looking for selfies in my iCloud storage and I found one of me mock shrieking in horror in a stairwell at Grant. The darkened wheel well formed a frame for this primal scream.
I have an app on my phone that I use to work with photos I’ve taken on it. I’ve become increasingly drawn towards the Double Exposure feature that allows me to put one photo on top of another and blend them. It allows for a kind of story telling by extreme juxtaposition.
The inside of the truck wheel has concentric circles that look to be shock waves moving out and away from my mouth, projecting the scream. I made that part of the image black and white. Maybe my version of Dylan Thomas’ “rage rage against the dying of the light”.
***
You are the deceiver
and I am the deceived
except the you is me
and
self-deception the sea
I am drowning in
with nary a plea.
***
The city sits at the bottom of the sea,
the water’s weight bearing down like
the world on the shoulders of Atlas
but without the benefit of being a Titan.
He was punished for leading a war
against the Olympian gods for con-
trol of the heavens and I have been
feeling pretty rebellious myself due
to the frustration of not really knowing
my place in the big scheme of things
which is not unlike drowning, honestly.
***